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's 21st studio album, was intended as a song cycle or a concept album, not that you could ever tell from listening to album. During the prerelease promotion for the album, claimed that he had written a narrative concerning a delivery man in the American South, following him on his journeys and through his relationships with three women of different ages and backgrounds. He also said that he deliberately presented the songs on the album out of narrative order, even taking songs off the record if they revealed too much about either the character or the story. All of this pretty much means that lacks even a semblance of a narrative, and the only way to know that it's supposed to have one was to read prerelease press or reviews. In other words, the record wound up not as a concept album but as a conceptual album, one that is inspired by the South, in both its music and its imagery, so it's fitting that it's released on the Americana label Lost Highway in 's ongoing quest to release an album on every one of Universal's various imprints. While the narrative may have been thrown out the window, that doesn't mean it wasn't needed, since the fledgling concept helped focus even if he didn't follow it through to a complete conclusion. The story of may have faded away, but working within its framework has inspired to craft his most consistent, unified rock & roll album in many, many years.

1. The Delivery Man Elvis Costello

It's also his best rock record in a long, long time, one that pulls off the nifty trick of being looser, harder than while being as sophisticated as. Make no mistake, this is a composer's record, written with an assured, knowing hand and a deliberate sophistication; it's hard to hear 'Country Darkness' without envisioning the written score that gives the tune its gentle lilt.

Instead of being an Achilles' heel, this bent toward serious, structured composition is a benefit, revitalizing 's writing. On he sounded labored, as if writing a rock album was a chore, but here he's threaded different musical strands - chiefly country, blues, and soul, but also how he wrote in his '80s heyday; witness how 'Either Side of the Same Town' and 'Bedlam' are close cousins to - into a style of writing that's more akin with than any previous rock record. Here, there's an economy to his words and a directness in the basic melodic structure that gives the songs a strong backbone, and help ground his winding eclecticism, which he nevertheless keeps in check by concentrating primarily on Southern musical traditions. But what really makes work is that it just plain sounds good. It's the first album that he's recorded in its entirety with his road band the Imposters, and they give this music serious muscle, but it also helps that the production by and stays out of the way - it's simple, direct, and unadorned, letting the performances shine through. Isn't perfect - 'The Scarlet Tide' is as mannered here as it was on the soundtrack, while the very good 'There's a Story in Your Voice' is nearly derailed by an unhinged - and it never feels as urgent as his prime work, but it's at once his most accomplished and visceral record as a veteran rocker, which is welcome indeed.

TitleWriter(s)Length1.4:512.Elvis Costello3:563.Elvis Costello3:424.Elvis Costello,4:005.Elvis Costello4:486.Elvis Costello4:397.Elvis Costello4:258.Elvis Costello4:159.Elvis Costello2:4810.Elvis Costello4:0611.Elvis Costello5:0612.Elvis Costello,3:5013.Elvis Costello,2:22Credits. Produced by: and.

Musicians:- vocals and guitar - piano - bass - drums - vocals on, and - vocals on - pedal steel guitar on This section may be incomplete. Recorded and mixed at Sweet Tea (Oxford, MS). Except for 'Monkey To Man' and 'The Monkey' basic tracks recorded at Delta Recording (Clarksdale, MS)Tracks01.

(2:22)Running time: 56:59Note: not included on US version.Tracks - LP & Japanese CD versionSide 11. (3:42)Side 21. (4:39)Side 31. (4:06)Side 41.

The Delivery Man Elvis Costello

(2:37)Singles.Related releases.Reviews.Internal links.External links.